Agnolo Bronzino
Agnolo Bronzino's Oil Paintings
Agnolo Bronzino Museum
Nov 17, 1503 -- Nov 23, 1572. Italian Mannerist painter.

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Here are all the paintings of Jean-Baptiste Greuze 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
78346 ''Portrait of Count Stroganov as a Child Jean-Baptiste Greuze ''Portrait of Count Stroganov as a Child 1778 cjr
43246 A Girl Jean-Baptiste Greuze A Girl mk170 1765-1780 Oil on canvas 47x39.4cm
28331 A Girl with a Doll Jean-Baptiste Greuze A Girl with a Doll mk60 1778 Oil on canvas 19 1/2"x16"
29271 A Visit to the Priest Jean-Baptiste Greuze A Visit to the Priest mk65 1786 Oil on canvas 49 1/2x63"
29339 A Young Man in a Hat Jean-Baptiste Greuze A Young Man in a Hat mk65 1750s Oil on canvas 24x19 1/2"
28330 Count P.A Stroganov as a Child Jean-Baptiste Greuze Count P.A Stroganov as a Child mk60 1778 Oil on canvas 18 1/2"16"
29377 Countess E.P.Shuvalova Jean-Baptiste Greuze Countess E.P.Shuvalova mk65 ca.1780 Oil on canvas 23 1/2x19 1/2"
26966 jean-baptiste greuze Jean-Baptiste Greuze jean-baptiste greuze mk52 c.1803 Oil on wood 52.5x45.5cm Musee des Beaux-Arts,Marseilles
33779 L'Accordee du  Village Jean-Baptiste Greuze L'Accordee du Village mk86 1761 Oil on canvas 90x118cm Paris,Musee National du Louvre
79742 L'enfant a la colombe Jean-Baptiste Greuze L'enfant a la colombe Oil on canvas 64,4 x 53,3 cm cjr
77593 Portrait de Claude Henri Watelet Jean-Baptiste Greuze Portrait de Claude Henri Watelet between 1763(1763) and 1765(1765) Oil on canvas 115 ?? 188 cm (45.3 ?? 74 in) cjr
77446 Portrait de jeune fille au ruban bleu Jean-Baptiste Greuze Portrait de jeune fille au ruban bleu 18th century Oil on canvas cjr
78052 Portrait of a Boy Jean-Baptiste Greuze Portrait of a Boy 18th century Oil on canvas 34 x 45 cm (13.4 x 17.7 in) cjr
76620 Portrait of a Lady, Called Sophie Arnould Jean-Baptiste Greuze Portrait of a Lady, Called Sophie Arnould ca. 1773(1773) Oil on canvas 49.6 ?? 39.3 cm (19.5 ?? 15.5 in) cjr
75454 Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould Jean-Baptiste Greuze Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould ca. 1786(1786) Oil on canvas 61 X 50.4 cm (24 X 19.8 in) cjr
76735 Portrait of Jacques Gabriel French architect Jean-Baptiste Greuze Portrait of Jacques Gabriel French architect Mid-18th century Oil on linen 65 ?? 54 cm (25.6 ?? 21.3 in) cjr
77871 Portrait of the Countess Schouwaloff Jean-Baptiste Greuze Portrait of the Countess Schouwaloff 1770s cjr
68410 Portrat eines jungen Madchens Jean-Baptiste Greuze Portrat eines jungen Madchens English: c. 1770-1780 Oil on canvas Deutsch: 50 ?? 38 cm
30623 The Broken jug Jean-Baptiste Greuze The Broken jug mk68 Oil on canvas Paris,Louvre c.1759 Italy
72537 The Inconsolable Widow Jean-Baptiste Greuze The Inconsolable Widow before 1763 Oil on canvas 40 32 cm cjr
33778 The Lamentation of Time Passing Jean-Baptiste Greuze The Lamentation of Time Passing mk86 c.1775 Oil on canvas 79x61cm Munich,Bayerische Staatsgemaldesamm-lungen,Alte Pinakothek
72013 The Spoiled Child Jean-Baptiste Greuze The Spoiled Child 1765 Oil on canvas
30626 The Village Marriage Contract Jean-Baptiste Greuze The Village Marriage Contract mk68 Oil on canvas Paris,Louvre 1761 France
31813 The Wool winder Jean-Baptiste Greuze The Wool winder mk76 Painted probably in 1759 Oil on canvas 29 3/8x24 1/8in
37376 The wool Winder Jean-Baptiste Greuze The wool Winder mk125
78191 Therese de Savoie Jean-Baptiste Greuze Therese de Savoie 1775(1775) Medium Oil on canvas Dimensions 86 x 68 cm (33.9 x 26.8 in) cyf
73470 Young Girl Weeping for her Dead Bird Jean-Baptiste Greuze Young Girl Weeping for her Dead Bird Young Girl Weeping for her Dead Bird c. 1759 cjr

Jean-Baptiste Greuze
French Rococo Era Painter, 1725-1805 French painter and draughtsman. He was named an associate member of the Academie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads (tetes d'expression). These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Simeon Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Franeois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litt?raire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850, when 18th-century painting returned to favour, by such critics as Theophile Thore, Arsene Houssaye and, most notably, Edmond and Jules de Goncourt in their book L'Art du dix-huitieme siecle. By the end of the century Greuze's work, especially his many variations on the Head of a Girl, fetched record prices, and his Broken Pitcher (Paris, Louvre) was one of the most popular paintings in the Louvre.
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