Agnolo Bronzino
Agnolo Bronzino's Oil Paintings
Agnolo Bronzino Museum
Nov 17, 1503 -- Nov 23, 1572. Italian Mannerist painter.

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Agnolo Bronzino
Lucrezia Panciatichi
mk176 c.1540 Oil on canvas
ID: 44903

Agnolo Bronzino Lucrezia Panciatichi
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Agnolo Bronzino Lucrezia Panciatichi


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Agnolo Bronzino

Italian Mannerist Painter, 1503-1572 Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.  Related Paintings of Agnolo Bronzino :. | Laura Battiferri (mk45) | Altar der Kapelle der Eleonora da Toledo | Portrait of Bartolomeo Panciatichi | Venus and Cupid | Eleonora di Toledo col figlio Giovanni |
Related Artists:
SCHIAVONE, Andrea
Italian Painter, ca.1500-1563
Kuzma Petrov-Vodkin
Russian Painter, 1878-1939 Russian painter. He began his studies in the drawing and painting classes of F. Burov (1843-95) in Samara (1893-5), and he attended Baron Stieglitz's school in St Petersburg from 1895 to 1897. He studied under Abram Arkhipov, Nikolay Kasatkin and Valentin Serov at the Moscow School of Painting, Sculpture and Architecture from 1897 to 1905 and at Anton Azb?'s school in Munich (1901). After working in various private studios in Paris between 1905 and 1908, he travelled to Constantinople (now Istanbul), Greece and Italy in 1905 and to Algiers in 1906. On his return to Russia, he held an exhibition in the editorial offices of the magazine Apollon in St Petersburg (1909). From 1911 to 1924 he exhibited with the WORLD OF ART group and from 1925 to 1928 with the FOUR ARTS SOCIETY OF ARTISTS. From the early 1910s Petrov-Vodkin's work was influential in the artistic life of St Petersburg. He attempted to reconcile classical and modern trends. His style was formed under a wide range of influences, often seemingly incompatible: 19th-century Russian painters such as Aleksey Venetsianov,
Master of the View of st Gudule
active in Brussels 1470-1490






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