Agnolo Bronzino
Agnolo Bronzino's Oil Paintings
Agnolo Bronzino Museum
Nov 17, 1503 -- Nov 23, 1572. Italian Mannerist painter.

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Agnolo Bronzino
Portrait of Francesco I as a Young Man
mk65 Oil on panel 23x16 5/16in
ID: 28858

Agnolo Bronzino Portrait of Francesco I as a Young Man
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Agnolo Bronzino Portrait of Francesco I as a Young Man


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Agnolo Bronzino

Italian Mannerist Painter, 1503-1572 Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.  Related Paintings of Agnolo Bronzino :. | Portrat des Ugolino Martelli | Portrait of Maria de'Medici | Allegory of Happiness | Holy Family with St.Anne and the Infant St.John | An Allegory (mk08) |
Related Artists:
LA FOSSE, Charles de
French Baroque Era Painter, 1636-1716 French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century
Jan Wyck
Dutch Baroque Era Painter, 1652-1700,Son of Thomas Wijck. A marriage certificate issued on 22 November 1676 describes the artist as 'Jan Wick of St Paul's Covent Garden, gent., widower, about 31 ...', suggesting that he was born c. 1645, but his correct birthdate is known from the inscription on a mezzotint portrait of him by John Faber II (1684-1756) after a painting by Sir Godfrey Kneller. Jan is first documented on 17 June 1674, when he appeared before the court of the Painter-Stainers' Company in London and vowed to pay both his own and his father's quarterly fees. The certificate of 1676 relates to his second marriage, to Ann Skinner (d 1687), who between 1678 and 1683 bore him four children, all of whom died young. After Ann's death in 1687, he married Elizabeth Holomberg (d 1693) in 1688 and moved to Mortlake. Between 1689 and 1693 they had two sons and a daughter.
Thomas Kennington
(7 April 1856 - 10 December 1916) was an English genre, social realist and portrait painter. He was a founder member of the New English Art Club (NEAC) and the Imperial Arts League. Kennington was born in Grimsby in Lincolnshire and trained in art at the Liverpool School of Art (winning a gold medal), the Royal College of Art (RCA) in London, and the Academie Julien in Paris, where he studied under Bougereau and Robert-Fleury. He later moved to Chelsea in London. He exhibited at the Royal Academy, London from 1880 - 1916, and also regularly showed his work at the Royal Society of British Artists (RBA) in Suffolk Street and the Grosvenor gallery. He was a founder member and first secretary of the New English Art Club (from 1886), and also founded the Imperial Arts League, whose stated purpose was to "protect and promote the interests of Artists and to inform, advise and assist...."He won a bronze medal at the Exposition Universelle of 1889. cjr






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