Agnolo Bronzino
Agnolo Bronzino's Oil Paintings
Agnolo Bronzino Museum
Nov 17, 1503 -- Nov 23, 1572. Italian Mannerist painter.

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Agnolo Bronzino
The Sacred Family Second half of the century XVI
mk166 I Wave on board of wood 117x89.5cm Uffizi, Florence
ID: 41971

Agnolo Bronzino The Sacred Family Second half of the century XVI
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Agnolo Bronzino The Sacred Family Second half of the century XVI


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Agnolo Bronzino

Italian Mannerist Painter, 1503-1572 Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.  Related Paintings of Agnolo Bronzino :. | Portrait of Maria de'Medici | Holy Family with St Anne and the infant | Portrait of a Sculptor (mk05) | Ugolino Martelli (mk45) | The Ailing Eleonora di Toledo |
Related Artists:
Francisco Jose de Goya
Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
Sylvestro Lega
1826-1895 Italian Sylvestro Lega Gallery
Narcisse Berchere
French, 1819-1891






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