Agnolo Bronzino
Agnolo Bronzino's Oil Paintings
Agnolo Bronzino Museum
Nov 17, 1503 -- Nov 23, 1572. Italian Mannerist painter.

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BRONZINO, Agnolo
Allegory the dear
mk186 around 1545 London nationally Gallery
ID: 45630

BRONZINO, Agnolo Allegory the dear
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BRONZINO, Agnolo Allegory the dear


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BRONZINO, Agnolo

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.  Related Paintings of BRONZINO, Agnolo :. | Cosimo I de Medici in Armour | Eleonora of Toledo with her son Giovanni de- Medici | Bia, The Illegitimate Daughter of Cosimo I de Medici | Portrait of Lucrezia Panciatichi fg | Adoration of the Shepherds sdf |
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William Ellery Channing
(April 7, 1780 - October 2, 1842) was the foremost Unitarian preacher in the United States in the early nineteenth century and, along with Andrews Norton, one of Unitarianism's leading theologians. He was known for his articulate and impassioned sermons and public speeches, and as a prominent thinker in the liberal theology of the day.
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Joseph Heintz
1564-1609 Swiss Painter, draughtsman, architect and artistic adviser, son of Daniel Heintz. He began his training as a painter c. 1579 with Hans Bock I (c. 1550-c. 1623) in Basle. His first surviving drawings (1580) show something akin to Holbein manner in his stained-glass window designs. After completing his apprenticeship he went c. 1584 to Rome, where he studied the works of antiquity, and those of Raphael, Michelangelo, Polidoro da Caravaggio and others. In 1587 he went via Florence to Venice, absorbing the works of Tintoretto, Titian and Veronese. In autumn 1591 the Holy Roman Emperor Rudolf II summoned him as portraitist and court painter to Prague but soon sent him back to Italy, where he drew ancient statues in addition to producing his own work and acting as art agent for the Emperor. In 1592-5 he stayed mainly in Rome, then returned to Prague. In the following years he worked indefatigably as a draughtsman, painter, architect and artistic adviser, moving between Augsburg and Prague.






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