Agnolo Bronzino
Agnolo Bronzino's Oil Paintings
Agnolo Bronzino Museum
Nov 17, 1503 -- Nov 23, 1572. Italian Mannerist painter.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  

Agnolo Bronzino.org, welcome & enjoy!
Agnolo Bronzino.org
 

BRONZINO, Agnolo
Cosimo I de Medici in Armour
1545 Oil on wood, 74 x 58 cm Galleria degli Uffizi, Florence
ID: 05396

BRONZINO, Agnolo Cosimo I de  Medici in Armour
Go Back!



BRONZINO, Agnolo Cosimo I de  Medici in Armour


Go Back!


 

BRONZINO, Agnolo

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.  Related Paintings of BRONZINO, Agnolo :. | Holy Family gfhfi | Portrait of Maria de Medici | Cosimo I de Medici in Armour | Eleanora di Toledo | Deposition of Christ ffg |
Related Artists:
Luca Carlevaris
1665-1731 Italian Luca Carlevaris Location Luca Carlevarijs or Carlevaris (1663 - 1730) was an Italian painter of landscapes (vedutista). Carlevarijs was born in Udine, but worked mostly in Venice. His veduta of Venice are among the earliest Baroque depictions of the city. He was influenced by the Dutch painter active in Rome, Caspar van Wittel (often called Vanvitelli). The painters Canaletto and Antonio Visentini are said to have been highly influenced by or pupils of his. Johan Richter did work with him.
Hipolito Boaventura Caron
painted Arredores de Paris in 1887
Alessandro Botticelli
Florence ca.1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d'Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli's reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm;






Agnolo Bronzino
All the Agnolo Bronzino's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved