Agnolo Bronzino
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Agnolo Bronzino Museum
Nov 17, 1503 -- Nov 23, 1572. Italian Mannerist painter.

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BRONZINO, Agnolo
Portrait of Giovanni de Medici
c. 1549 Tempera on wood, 58 x 45,6 cm Galleria degli Uffizi, Florence
ID: 05400

BRONZINO, Agnolo Portrait of Giovanni de Medici
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BRONZINO, Agnolo Portrait of Giovanni de Medici


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BRONZINO, Agnolo

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.  Related Paintings of BRONZINO, Agnolo :. | Portrait of Bartolomeo Panciatichi g | Venus, Cupide and the Time (detail) fdg | Adoration of the Shepherds (detail) f | The Illegitimate Daughter of Cosimo I de' Medici | Laura Battiferri dd |
Related Artists:
Michael Ancher
Danish Painter, 1849-1927 He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),
Jacques de letin
1597 - 1661
Edouard Richter
French, 1844-1913






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