Agnolo Bronzino
Agnolo Bronzino's Oil Paintings
Agnolo Bronzino Museum
Nov 17, 1503 -- Nov 23, 1572. Italian Mannerist painter.

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BRONZINO, Agnolo
The Panciatichi Holy Family (detail) f
1540 Oil on wood Galleria degli Uffizi, Florence
ID: 05425

BRONZINO, Agnolo The Panciatichi Holy Family (detail) f
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BRONZINO, Agnolo The Panciatichi Holy Family (detail) f


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BRONZINO, Agnolo

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.  Related Paintings of BRONZINO, Agnolo :. | Cosimo I de Medici in Armour | Portrait of Eleanora di Toledo | The Panciatichi Holy Family (detail) f | Portrait of Stefano IV Colonna | Adoration of the Shepherds sdf |
Related Artists:
William Shayer
1787-1879 English painter. Although based in Southampton and catering predominantly to a provincial market, he also exhibited in London. Between 1825 and 1870 he showed over 330 works at the Royal Society of British Artists and 80 at the British Institution. Shayer produced rural genre scenes in the manner of Francis Wheatley, Julius Caesar Ibbetson and, predominantly,
Charles Ricketts
1866-1931 English painter, designer, writer and collector. He trained as an illustrator at the City and Guilds Technical Art School, Lambeth, London, where he met and formed a lifelong relationship with CHARLES HAZELWOOD SHANNON. He identified with the ideals of the Aesthetic Movement, finding inspiration in Renaissance art as well as in the French artists Gustave Moreau and Pierre Puvis de Chavannes. In 1888 he took over James Abbott McNeill Whistler's house, The Vale, in Chelsea and drew together an artists' colony. Inspired by the work of A. H. Mackmurdo and William Morris, he set up a small press over which he exercised complete control of design and production, producing art journals and books that included Oscar Wilde's A House of Pomegranates (1891) and The Sphinx (1894). Ricketts later designed founts, initials, borders and illustrations for the Vale Press (1896-1904), blending medieval, Renaissance and contemporary imagery.
Nikolas Kornilievich Bodarevsky
painted Portrait of the Empress Alexandra Fedorovna in 1907






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